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[Song is fully in English] Can’t reach me yet Another type, babe Please, outta way Too bright, can’t be a bad kind Don’t you know? Gritty treats, dirty streets won’t belong, yeah Scrolling down, wearing tight Pixelated town Fake them out Let the light be on back, need a break I hate to spoil you, but that’s just living life Can’t say “I love you” if I left hurt, that’s right? I got body made of fur Can’t be better than tonight Can’t be better than tonight Can’t be better than tonight Let nobody in this world Can’t be better than tonight Can’t be better than tonight Can’t be better than tonight Can I undo? Fade into grey Drift far away, yeah If I was you? Born to decay What’s there to say? False holiday I wouldn’t knock it I’d rather see you knock it hard Unlocking rocket I’ve wanted you to free me tonight anyway I can come home right Hypnosis my mind till it’s fine Don’t you dare me, I was right Scrolling down, out of line I won’t stick around Take me now, what’s the prize I’ve been out here all day Got spoiled casually Said it once unexpectedly Guess I played the game too wrong, honestly I got body made of fur Can’t be better than tonight Can’t be better than tonight Can’t be better than tonight Let nobody in this world Can’t be better than tonight Can’t be better than tonight Can’t be better than tonight Can I undo? Fade into grey Drift far away, yeah If I was you? Born to decay What’s there to say? If I was lost here, would it be better? If I just can’t go back that day I’m hoping hopes for another chance to be coming back I’m hoping hopes for another chance to stay or run away, yeah I got body made of fur Can’t be better than tonight Can’t be better than tonight Can’t be better than tonight Let nobody in this world Can’t be better than tonight Can’t be better than tonight Can’t be better than tonight Can I undo? Fade into grey Drift far away, yeah If I was you? Born to decay What’s there to say? False holiday [Credits] Lyrics by 0JV3 Composed and arranged by IOAH, Park Ye-chan Chorus by Mabokpil Drum Programming by IOAH Guitar Performed by IOAH Piano Performed by IOAH, Park Ye-chan Bass Performed by IOAH SYNTH Performed by IOAH, Park Ye-chan

ARTMS timestamps: 0:07--0:10, 0:18--0:21, 1:03--1:25, 2:11--2:15

Heejin Thank you for coming to Whosfan Cafe ✓ Have lots and lots of the delicious snacks and drinks!! Love you~ ♡= Haseul Thank you for coming to ARTMS Cafe =) ♡ Enjoy and have fun~♡ Kim Lip OURIIs~👄 Have a fun time!! Eat lots and don't fall sick :) Thank you as always~💕 Jinsoul OURIIs! Thank you for coming to Whosfan cafe :) ♡ Let's all get to know each other! Don't be awkward hahahahaha Choerry Thank you so~ much for coming even in this hot weather! TㅅT ♡ Grab a cool drink! and blow all! the heat away~!! 🍒

Heejin Thank you for coming to Whosfan Cafe ✓ Eat many of my Doraemon macarons >o< ♡ Haseul Thank you as always ♡ Kim Lip Missed Lippie ^_^ ? Jinsoul OURIIs, I love you :P Choerry I love you as always ♡ !! ( Source )

Haseul timestamp: 5:07 - 9:34

Chuu timestamp: 3:03 - 8:49

[Link to original blog post] Like a torn notepad After being ripped out Pieces of my heart remain, ragged It's messy and unkempt So I pull them apart one by one And then the whole thing falls out This wasn't what I wanted It was just one thing that was bothering me The empty notepad Feels hollow, so I try to attach it back But now this is just useless paper I couldn't even write anything yet But full of attachment, I'm unable to throw them away And these thin notepads and notes pile and fill up the room

Walkin’ in the lights tonight When they shine on me I‘m walkin’ in the lights tonight Yeah I’m glowin’ babe A single cut No hesitation, show it Obvious types, those are not my style Walkin’ in the lights tonight All you gotta do is watch So criminal Unadorned visual My original Ecstasy, feel me Stopped gazes When I imprint myself, like flash flash Like flash Make it true As you know it Verified it, yeah Fall a bit deeper You’ll wanna dive into the deep end Feel it, feel it, feel my vibe In the dazzling moment It’ll shine without shaking, beauty Twenty-four, uh huh And three six five, la la There are no gaps, me ya My unique and unfading Color is in this face No rules, uh huh Candid words, that’s right My essential glow, so fine Verified Beauty Reckless I don’t need a frame I don’t need a frame no more My world’s full even without rules Even when I show myself without filter It captures you naturally Aesthetic, shining quietly The more you fall in, deep dive Dazzle the eyes Engrave even more intensely, flash flash Like flash Make it true As you know it Verified it, yeah Fall a bit deeper You’ll wanna dive into the deep end Feel it, feel it, feel my vibe In the dazzling moment It’ll shine without shaking, beauty Reckless So criminal Unadorned visual My original Ecstasy, feel me Just look, look at me You need an explanation? No doubt doubt No doubt We’ve proved As you know it Verified it, yeah Fall a bit deeper You’ll wanna dive into the deep end Feel it, feel it, feel my vibe In the dazzling moment It’ll shine without shaking, beauty Twenty-four, uh huh And three six five, la la There are no gaps, me ya My unique and unfading Color is in this face No rules, uh huh Candid words, that’s right My essential glow, so fine Verified Beauty Reckless Walkin’ In The Lights Tonight 날 비출 때 I’m Walkin’ In The Lights Tonight Yeah I'm Glowin’ Babe 단 한 번의 Cut 망설임 없이 Show It 뻔한 Type 그런 건 Not My Style Walkin’ In The Lights Tonight 넌 보면 돼 So Criminal 꾸며내지 않은 Visual My Original 환희 날 느껴봐 멈춘 시선 날 각인시킬 때 Like Flash Flash Like Flash Make It True As You Know It Verified It Yeah 조금 더 빠져들어 You’ll Wanna Dive Into The Deep End 느껴봐 느껴봐 Feel My Vibe 화려한 순간 속에 흔들림 없이 빛날 Beauty Twenty-Four, Uh Huh And Three Six Five, La La 빈틈은 없어, Me Ya 바래지 않을 나만의 색이 담긴 Face No Rules, Uh Huh Candid Words, That’s Right 내 본연 Glow, So Fine Verified Beauty Reckless I Don’t Need A Frame I Don’t Need A Frame No More 룰이 없어도 가득 찬 내 세계 Filter 없이 나를 담아내도 자연스럽게 널 사로잡아 Aesthetic 조용히 빛나 빠져들수록 Deep Dive 눈이 부시게 더 강렬하게 새겨 Flash Flash Like Flash Make It True As You Know It Verified It Yeah 조금 더 빠져들어 You’ll Wanna Dive Into The Deep End 느껴봐 느껴봐 Feel My Vibe 화려한 순간 속에 흔들림 없이 빛날 Beauty Reckless So Criminal 꾸며내지 않은 Visual My Original 환희 날 느껴봐 Just Look, 나를 봐 설명이 필요해? No Doubt Doubt No Doubt 우린 Proved As You Know It Verified It Yeah 조금 더 빠져들어 You’ll Wanna Dive Into The Deep End 느껴봐 느껴봐 Feel My Vibe 화려한 순간 속에 흔들림 없이 빛날 Beauty Twenty-Four, Uh Huh And Three Six Five, La La 빈틈은 없어, Me Ya 바래지 않을 나만의 색이 담긴 Face No Rules, Uh Huh Candid Words, That’s Right 내 본연 Glow, So Fine Verified Beauty Reckless "Verified Beauty" was a song prepared ever since ARTMS first signed contracts with Modhaus. The moment when five young girls took a step into a wider world, the youthful girls became women with independent beauty. [Credits] Verified Beauty Lyrics by J14 (Full8loom), Youra (Full8loom), Gu Yeo-reum (Full8loom), Jaden Jeong, Sofia Quinn Composed by Full8loom, Bang Gun-woo (Full8loom), Sofia Quinn Arranged by Full8loom, Bang Gun-woo Keyboard by Jang Jun-ho, Bang Gun-woo Synthesizer by Jang Jun-ho, Bang Gun-woo Drums Programming by Jang Jun-ho, Bang Gun-woo Background Vocals by Lee You-ra Vocals Directed by Lee You-ra, Jang Jun-ho Digitally Edited by Lee You-ra Recorded by Yun Gil-joong @ Sol Sound Mixed by Jeong Jin @ J's Atelier Mastered by Kwon Nam-woo @ 821 Sound Mastering

[Song is fully in English] Light and darkness Pushing through the borderline Hypersonic make alive Catch you in the speed of light Boom boom watch me Blown into a final breath Brand new aura manifest Goddess gonna take it Goddess gonna choose it Goddess gonna rule it Beat beat it burning heart Twist N turn I take you far Crystal clear my shining eyes Cutting through your skin on ice Free your soul Wanna taste your final breath Brand new aura manifest Goddess gonna own it Goddess gonna change it Goddess gonna burn it Pushin’ through the veins Twist N turn into your lane Spread the wings and manifest Celestial fantasy Boom boom till I go Underneath the bloody glow Shining on my final aura Goddess gonna burn it Run run it burning heart Twist n turn I take you far Crystal clear my shining eyes Cutting through your skin on ice Free your soul Lucid dream electric floor Brand new aura manifest Goddess gonna own it Goddess gonna change it Goddess gonna burn it "Goddess" is the most unpredictable track on . The genre of hyperpop. And expressions polished entirely in English. A hook that's more hollowed than filled. These extreme yet vacuum-like expressions are perhaps the picture of us who live out the year 2025. [Credits] Goddess Lyrics by Heejin, Sungwoo Kim, Angela Bang, Sunny Lee Composed by BADD, Hailey Collier, Noémie Legrand, Dan Gleyzer Arranged by BADD Keyboard by BADD Synthesizer by BADD Background Vocals by Heejin, Haseul, Kim Lip, Jinsoul, Choerry Vocals Directed by BADD Digitally Edited by Joo Woo-young (Full8loom) Recorded by Min Sung-hwan @ The VIBE Studio Mixed by Lee Tae-seob @ Gateway Studio Mastered by Kwon Nam-woo @ 821 Sound Mastering

Beautiful blue, perfect rose The heart awakens and waits for bloom Been masking the truth, until now, hide Blooming at last now You’ve got me A little, a little, a little more Bring new light Some more on the wall, knock knock knock Can’t stop that Into another world My heart is swallowed Oh I can’t stop now Flame, the feelings I’ve been hiding, at last Will burn up tonight, it feels like Face, at your new appearance I’m short of breath, wait 3, 2, 1 A little, a little, a little, a little more No no no no no no, not enough This strange feeling Overflows endlessly With you I’m obsessed I can’t hide it anymore I’m standing here Oh oh oh Nah I ain’t gonna find Addicted to love In a fierce attraction Oh, obsessed with love Wake up, to you send a clue Look at another me Wherever your gaze Might land Just, you don’t get it A little, a little, a little, a little more No no no no no no, not enough This strange feeling Overflows endlessly With you I’m obsessed I can’t hide it anymore I’m standing here Oh oh oh Nah I ain’t gonna find Addicted to love In a fierce attraction Oh, obsessed with love Just glow up Oh, into a new color I’ll color myself now Just say it I’m ready to accept it Now Yeah, I’m full of this feel feel feel feel feel This light light light light light will shine on you Delve into me, deep deep deep deep deep I want you Once the dark night falls A little, a little, a little, a little more No no no no no no, not enough Somewhere deep in my heart A shining prism With you I’m obsessed I can’t hide it anymore 아름다운 Blue 완벽한 Rose 맘이 깨어나 기다려 Bloom 감춰온 Truth 지금껏 Hide 이제야 피어나 You’ve Got Me 점점 점점 점점 더 Bring New Light 좀 더 벽을 Knock Knock Knock Can’t Stop That 또 다른 세계에 빠져들어가 내 맘 Oh I Can’t Stop Now Flame 꼭 숨겨왔던 맘이 결국 타오를 것 같은 밤이야 Face 새론 네 모습에 숨이 차 Wait 3, 2, 1 점점 점점 점점 점점 더 No No No No No No Not Enough 이 낯선 감정 끝없이 넘쳐 너에게 난 Obsessed 이제 숨길 수 없어 I’m Standing Here Oh Oh Oh Nah I Ain't Gonna Find Addicted To Love 강렬한 끌림 속에서 Oh Obsessed With Love Wake Up 네게 Send A Clue 또 다른 나를 봐 네 시선이 닿을 곳 어디라도 Just You Don’t Get It 점점 점점 점점 점점 더 No No No No No No Not Enough 이 낯선 감정 끝없이 넘쳐 너에게 난 Obsessed 이제 숨길 수 없어 I’m Standing Here Oh Oh Oh Nah I Ain't Gonna Find Addicted To Love 강렬한 끌림 속에서 Oh Obsessed With Love Just Glow Up Oh 색다른 색깔로 날 물들일게 이제 Just Say It I’m Ready To Accept It Now Yeah 날 가득 채운 Feel Feel Feel Feel Feel 네게로 비출 빛 빛 빛 빛 빛 날 파고들어 Deep Deep Deep Deep Deep I Want You 어두운 밤이 오면 점점 점점 점점 점점 더 No No No No No No Not Enough 내 맘 깊은 곳 빛나는 Prism 너에게 난 Obsessed 이제 멈출 수 없어 "Obsessed" sings about attachment, one of the modern diseases that urbanites live with. It illustrates a picture of the times, where stress is relieved through food or consumption or obsession over someone. But its expression in music is not annoyed or prickly, but rather only beautiful. As if to say that obsession may be a disease to someone, but in truth it is a beautiful instinct. [Credits] Obsessed Lyrics by Haesa (MUMW), Kwon Ae-jin (MonoTree), Vacation (MUMW), Aran (MUMW), Jaden Jeong, Ahn Young-joo (MUMW), Ryumona, Amy Y, Moon Ji-soo (MUMW) Composed by Fuxxy, Any Masingga (MonoTree), Kwon Ae-jin Arranged by Fuxxy, Any Masingga Drums by Fuxxy Bass by Fuxxy Synthesizer by Any Masingga Keyboard by Fuxxy Background Vocals by Kwon Ae-jin Vocal Directed by Fuxxy, Kwon Ae-jin Digitally Edited by Kang Sun-young, Fuxxy Recorded by Fuxxy @ MonoTree Studio Mixed by Jeong Jin @ J's Atelier Mastered by Kwon Nam-woo @ 821 Sound Mastering

Please find me I’m the wings melted by the Sun Endless falling Everything’s burning up A waltz of sparks, cold as ice I wake again I just wanna be unchained Stay unchained Holding my breath, there’s no giving up Spread my wings again, trapped in this maze Flame After it’s burnt and done I dream of rebirth Hurricane One more time, fly away Little wings, ever more, spread My fluttering will change the world Towards you, fly La la la la la La la la la la It’s more dizzying Will you take me with you, winds Endless flight The moonlight waxes higher To a new dazzling world, approach closer Be born again I just wanna be unchained Stay unchained A dance of lights, cold yet warm Spread my wings again, cradling this heat Flame With ashen dreams that never cool After it’s burnt and done I dream of rebirth Hurricane One more time, fly away Little wings, ever more, spread My fluttering will change the world Towards you, fly La la la la la Reborn like a phoenix wing We fly high, the world awakening us Once again It continues, endless mind game Together with you, once again play My fluttering will change the world Towards you, fly La la la la la Reborn like a phoenix wing Ah ah Reborn like a phoenix wing La la la la la Reborn like a phoenix wing Ah ah Reborn like a phoenix wing Ah ah Ah 날 찾아줘 난 태양에 녹은 Wings 끝없는 Falling 모든 것이 불타올라 얼음같이 차가운 불꽃의 왈츠 다시 깨어나 I Just Wanna Be Unchained Stay Unchained 숨죽인 채 포기는 없어 이 미로 속에 갇힌 날개를 다시 펼쳐 Flame 타버린 끝에서 새롭게 탄생을 꿈꿔 Hurricane 다시 한번 더 Fly Away 작은 날개 더 크게 Spread 세상을 바꿀 내 날갯짓 너를 향해서 Fly La La La La La La La La La La 더 아찔해 날 데리고 갈래 Winds 끝없는 비행 달빛은 더 차올라 눈이 부신 새로운 세계로 더 다가가 다시 태어나 I Just Wanna Be Unchained Stay Unchained 차갑지만 따스한 빛 들의 춤 이 열기 품에 안고 날개를 다시 펼쳐 Flame 식지 않는 잿 빛 꿈과 타버린 끝에서 새롭게 탄생을 꿈꿔 Hurricane 다시 한번 더 Fly Away 작은 날개 더 크게 Spread 세상을 바꿀 내 날갯짓 너를 향해서 Fly La La La La La Reborn Like A Phoenix’ Wing We Fly High The World Awakening Us Once Again 계속돼 Endless Mind Game 너와 함께 다시 또 Play 세상을 바꿀 내 날갯짓 너를 향해서 Fly La La La La La Reborn Like A Phoenix’ Wing Ah Ah Reborn Like A Phoenix’ Wing La La La La La Reborn Like A Phoenix’ Wing Ah Ah Reborn Like A Phoenix Wing Ah Ah Ah ARTMS Anyone who lives in a modern metropolis hides scars in a corner of their heart. Under the forest of skyscrapers, stacked precisely and shining in dazzling lights, are people who live on while hiding themselves in the shadows. They come together in , a fictional club that's secretive and unique to them, to tell their stories. And so the intro is titled "Club for the Broken", a club for those who are wounded. Title track "Icarus" reflects a wish for the wounded to grow new flesh as in the myth of Icarus, for new hope to sprout atop the scars. The rhythm and melody gradually being stacked up and rising within the precisely repeating piano line declare that ARTMS is the most aesthetic group in K-pop. In particular, the music video produced with Digipedi maximizes artistic expression by blending modern dance, and it is completed through perfect synchronization with the members. [Credits] Club for the Broken Composed and arranged by Artronic Waves Mixed by Lee Tae-seob @ Gateway Studio Mastered by Kwon Nam-woo @ 821 Sound Mastering Icarus Lyrics by G-High (MonoTree), Jaden Jeong Composed by Artronic Waves, G-High, Kwon Ae-jin (MonoTree), Alice Vicious (AW:crew), Yeon (AW:crew) Arranged by Artronic Waves, G-High Vocals directed by Da Woo-ri, Alice Vicious, Yeon Background vocals by Yeon E. Piano by Da Woo-ri Digitally edited by Da Woo-ri Recorded by Min Sung-hwan @ The VIBE Studio, Yun Gil-joong @ Sol Sound Mixed by Lee Tae-seob @ Gateway Studio Mastered by Kwon Nam-woo @ 821 Sound Mastering

[Link to original blog post] I write for the first time in so long I've been too busy this whole time but also there were a lot of little things to take care of..... But after putting in a lot of effort this week, work got done early and the things I needed to do got delivered early too so my weekend is so relaxed I ate at home and did this crafts thing..? (I'm supposed to make three-dimensional shapes out of paper, I bought it a while back and did it all of a sudden) And after I finished crafting I had nothing to do (I always need something to work on, otherwise I get anxious) So I was reading a book, and then I realized for the past month I've only stayed at home If it wasn't to work So I did this thing called going outside intentionally Immediately went to the cafe to write on the blog,...... It is already June Which is to say it has been an incredibly long time since I stopped writing on the blog I didn't even remember what kind of topics I used to write on So I asked the fans for topic ideas And a lot of people asked for life updates blogging So I will write a shabby life update blog post... Even if you feel like, "How old are the stories this girl is telling" I hope you will look upon me kindly When I went on the Europe tour...! I wasn't supposed to have an off day, but I think one got freed up? So Even in the rain, I was excited and danced in front of the hotel entrance And the stylist dongsaeng took these for me ㅎㅎ That day I went out to buy vintage accessories and ate delicious sushi The timing was then last year...? Is that right What will I do if it's not. But it's not surprising because North America and South America were such a blur that I don't remember what months I visited them in Why did time pass so quickly? I read somewhere that when you feel like time is passing too quickly You should do planks That really is right though When you plank you end up thinking that time should pass a bit more quickly And you realize, was 1 minute this precious and long of a time Why did I live so carelessly this whole time. And you reflect on your actions I was looking for tour photos that I hadn't posted And I found this I'm posting this because my abs are easily visible I don't see abs anymore when I look with my eyes But when I see photos or videos that the fans took They do look visible when I perform It's fascinating and also strange but If it was the other way around, that would be so sad So I have decided to be content. I think this photo was taken after the Europe tour The Grounds shoes' soles are really palpable I think it was in South America? Where I was dancing wearing those And I felt like I'd slip so hard on that slippery stage So during blackout in the middle of the show I took off the shoes. Even if I get shorter, I can't accept falling down.... But I guess that went up on TikTok My friend asked me why I was taking off my shoes on stage, what a ridiculous incident When I dance, if my shoes are bothering me, my whole attention goes to the shoes and I can't focus on anything else So before shows, I fix them really tightly and wear double socks and tie the laces tight too But if the stage is slippery that can't be helped I should have done better.... So when something like that happens, I blame myself and I get sad And after the performance I stay dejected in my room And I keep thinking back to that moment... A selfie from some point I think bangs make a really big difference My mom says I look better with bangs The fans say I look more like a 'woman' without But I think this saying, "Unnie you're like a woman", is so funny and cute I've never been a man, so when they say I'm a woman It's like they're drawing out a certain expression of theirs to the maximum extent So it's so funny and cute Lately I've gotten older so Almost everyone is a younger fan And they're so cute Via message they're like "Sooyoung-ah" But when we meet they become shy girls... I cannot help but love them When I'm at home I can truly 'never' sit still So I paint unidentifiable things While I'm painting it's so fun and time flies But afterwards I wonder what this is... But from a distance it looks like flowers in a vase So I titled it Flower ㅎㅎ; I have more things I drew but I'll post those later Engdus have already gotten to see I got dressed and I felt like I'd seen this somewhere I thought about it more and it was this kid This is a different day but lately I've been wearing those pants so often Of course I'm wearing them right now too Comfy is the best now for real It's so good for going on walks while listening to music on a cool evening There was once I time when I couldn't understand the advice to go on a walk when you have a lot of thoughts No like how am I supposed to go out when I'm lethargic But when you pick your body up and force yourself to go You just end up walking And focusing on the music And thinking, Oh I want to cover this song If it's a problem that won't get resolved no matter how much I stew and worry over it It feels right to just let it go As time passes, according to the way of the world~.. If it doesn't go well, there will be a meaning in accordance with that If it goes well, then it went well so there is nothing better This is so funny Kim Dohyeon went to Ddobogessji Tteokbokki? to eat And said she found my name I tracked down the culprit by sending it on Fromm And found her right away When I thought about it, I'd seen this handwriting often in letters So I thought, why didn't I recognize it What a cute incident 5/24 My birthday,,.! I've never looked forward to my birthday, ever since I was little That was the same this year, but when I went to my birthday cafe and exhibit The fans had sweated to wait and prepare for me They sang for me to make me happy... I really almost cried What is love; this is such an obvious question but When I see the fans I always learn I want to keep learning And I want to give back a lot too I always feel guilty because I'm always only receiving (I'm listening to a sad song right now and tears are suddenly welling up so let me stop writing) The strawberry sando I like It's so good and I tried making it at home too but Buying it outside is the best Right now is dieting period so I can't eat these and I'm sad You wait just a little bit I think this was when I went to the IFC Mall with unnie-ya When we were little I fought so much with my sister and treated her like my nemesis Every time, Mom: "When I'm dead and gone it's just gonna be you two, why do you fight so much!" And now that we're grown I like unnie so much and she's so precious to me But I still want Mom to live long The day I had wine outdoors with my friend This place is really nice The spot is in Yeonnam-dong? Poongwall! The terrace is on the roof so it is a little difficult to carry food and drink up there but it's still romantic ["Time that can't be turned back"] It is already June 8 And almost time for dinner I feel like I just ate lunch. Putting the earnest New Year's wishes to shame I have gone through half of an arid year But if you asked me if I want to go back, I would say I like it right now Parting with my pup, which tore my heart apart two years ago That moment when I held my first solo showcase Meeting fans tens of thousands of kilometers away I believe all of that is serendipity And there is meaning in it all So I wish to not obsess over relations and happenings of the past And experience the present and calmly encounter the sorrows and joys of the future too Recently, the fans have been often telling me that they want to be happy. When I hear that, I want to do anything I can do make them happy So I look up meaningful quotes And I collect all of the green-glowing expressions within me To write and send in a message. Even the pain receptors that process spicy flavor are different for every person So the weight you feel in hardship, the mood you feel in joy How different those must be too And yet I still want this to be consolation to you And so I write a blog post yet again! (So funny how I'm talking like I blog every day) Even in the midsummer heat that is to come Please be happy!

Your appearance becoming clearer when night falls, yeah Embracing me The voice spreading under the gaunt moonlight Our love story, yeah A short piece inside a memory Between the good times And the aching moments Gazes meeting in the mist Unfamiliar emotions, surging in the moment we grazed close enough to touch I don't want to wake from this dream called you Every day dancing in the dark As if we are Dancing an endless dance Every day dancing in the dark As if this night has no end for me Yeah When we open our eyes These dim moments will disappear As if bewitched, but I do Holding hands with you like this Every day dancing in the dark Dancing in the dark, yeah Every day, every night Light spreading between the fingers, and beyond A silhouette shimmering to the rhythm Between vibrant excitement and faint wounds A gaze that's lost its way in the long darkness A sweet bad emotion, spreading softly I'm stuck in a dream called you Every day dancing in the dark As if we are Dancing an endless dance Every day dancing in the dark As if this night has no end for me 밤이 오면 유난히 선명해지는 네 모습이 Yeah 나를 감싸오고 야윈 달빛 아래로 번진 목소리 Our love story, yeah 기억 속의 단편 좋았던 시간들과 아팠던 순간 사이 안갯속에 마주친 시선 잡힐 듯 스친 찰나 밀려온 낯선 감정 너란 꿈을 깨기 싫어 Everyday Dancing in the Dark 우리는 마치 끝없는 춤을 추듯이 Everyday Dancing in the Dark 이 밤의 끝이 내겐 없다는듯이 Yeah 눈뜨면 사라질 희미한 순간들 홀린 듯 But I do 이렇게 너와 손을 맞잡고 Everyday Dancing in the Dark Dancing in the Dark yeah Everyday, every night 빛이 번지는 손 틈 너머 리듬을 따라 아른거린 실루엣 선명한 설렘들과 흐릿한 상처사이 긴 어둠에 길 잃은 시선 부드럽게 번지는 달콤한 나쁜 감정 너란 꿈에 갇혀 있어 Everyday Dancing in the Dark 우리는 마치 끝없는 춤을 추듯이 Everyday Dancing in the Dark 이 밤의 끝이 내겐 없다는듯이 [Credits] Lyrics by Y0ung, Kwon Dal-eum (MUMW), WIV (MUMW), Park Ha-bi, ZISU (MUMW) Composed and arranged by Nam Dong-hyeon Drum, bass, guitar, piano, percussion, string, recording, and mixing by Nam Dong-hyeon Chorus by Wish Mastered by Kwon Nam-woo (821 Sound Mastering)

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Reporter Kim Su-jeong Part 1: What Chuu’s lyrics “Only cry in the rain” and “cuckoo” refer to In a round interview for the release of her second mini-album “Strawberry Rush”, Chuu mentioned that she wasn’t musically known by as many people, and that she wanted to make known her primary profession as a singer. Her third mini-album “Only cry in the rain” released on the 21st of this month, is her new release after 10 months. This album, reflecting on forgotten emotions and sharing how they were part of who she is today, consists of five tracks. The title track, “Only cry in the rain”, features a dreamy synth-pop sound based in new wave, with the message that “it’s okay to be honest with your emotions, at least on rainy days.” Within a cheery rhythm it shares a sentiment of melancholy, conveyed through Chuu’s unique vocal tones and emotions. To dive deeper into Chuu’s third mini-album, CBS No Cut News interviewed ATRP CEO Kim Jinmi, who oversaw the entire process from the conception of the album, to acquiring songs, recordings, and the various promotions. The following interview was conducted in writing on the 5th of this month. 1. The title track, “Only cry in the rain”, is a song with the message, “it's okay to be honest with your emotions, at least on rainy days.” Judging from the album cover with the crying ASCII art, and the highlight medley that showed the motion of tears falling, I initially thought it would be a song with heavy emotions. However, perhaps because it’s in the synth-pop genre, it was more relaxed listening than expected. Is there a reason why preparations were done this way? CEO Kim Jinmi: “Only cry in the rain” is a song that starts from outward appearance with melancholic and quiet emotions, but I actually wanted to give a bit of a twist on that. When people first think of the term “emotion”, what often comes to mind is heavy and quiet sadness. But real emotions aren’t singular. Sometimes there’s an odd sense of freedom even in tears, and there are moments within sadness when you feel strangely liberated. I wanted to capture the truth of that contradictory feeling. So sound-wise I brought in the cheerfulness and dreaminess characteristics that come with synth-pop and layered a much more intimate and quiet emotional line on top. I intentionally made the rhythm active while the emotions stayed calm and subdued. The goal was to make a structure that makes listeners think, “This seems brighter than I thought?”, then reflect on the lyrics and pay closer attention to the underlying emotions. It’s like when you’re walking alone on a cloudy day, and the music playing in your earphones is cheerful but lonely, bright but hazy - I wanted to express that “dual emotion”. I think of music as a “sequence of emotions”. Like how images flow in order, music also operates as a narrative by placing emotions over time. The first teaser in ASCII art form hinted at “codified emotion” before they’re even recognized, and the tears in the highlight medley were the point at which emotions started taking on a more tangible form. At the end of that flow, “Only cry in the rain” isn’t simply a sad song, it’s a song about the courage to face sadness, instead of hiding it. Instead of sinking in a heavy way, the sound of the song contains the feeling of being able to walk forward while embracing emotions as well. More than anything, I hope that the song lingers in your heart even more after your second, or third listen - that’s the biggest twist that I wanted to convey through music. 2. Why was “Only cry in the rain” chosen as the title track? CEO Kim Jinmi: When choosing a title track, the most important thing is sensing what kind of colour the artist should start with in this album. For some songs, rather than the melody, a scene comes to mind first. Sometimes, that image naturally overlaps with the artist. It’s only then that I’m convinced, “It would be good to start the story with this colour this time.” That’s how the title track was decided. When I first heard the guide version of this song, the tone of the scene I wanted naturally unfolded in my mind. That scene felt analog—far more imperfect, shaky, and light-scattered compared to digital. I firmly believed that kind of texture could actually convey emotions more honestly and vividly. “Only cry in the rain” had exactly that kind of texture. It wasn’t perfect, but it closely resembled the emotions of youth, and the image of the artist Chuu naturally overlapped on top of the song. Chuu is known for her bright, lovable, vitamin-like image, but inside, she’s an artist with far more complex and delicate emotional layers. I felt that this title track best captures the three-dimensional emotional world within Chuu, and it also connects seamlessly with the narrative we’ve been building since the last album. That’s why this song had to go beyond just being music, to become a project where music and visuals, sight and sound all form one unified narrative. It felt like the key sentence that seals and then releases the emotional theme of this album, while also being the closing scene of youth. I hope “Only cry in the rain” becomes like a single frame of film that quietly echoes someone’s feelings, like a cuckoo that only chimes at the exact hour, resonating gently somewhere in our hearts. 3. A cuckoo comes out of tears, and the word “cuckoo” is also in the lyrics. There’s even a movement in the choreography that mimics a large clock, which makes everything feel very cohesive. Why is the “cuckoo” such an important motif in “Only cry in the rain”? CEO Kim Jinmi: I’ve had a long-standing working relationship with lyricist Seo Ji-eum, going all the way back to the Oh My Girl days. As always, it wasn’t just about explaining the concept simply; it was a shared journey to uncover the “hidden texture in the song’s emotion”. If “Howl” was about crying out emotions for the first time, “Only cry in the rain” is an album that quietly embraces those emotions. So it was important to find the smallest signal that releases emotions. When the lyrics came in and I read the word “cuckoo” for the first time, I had this experience where the entire texture of the album suddenly came into focus. In a single word, it fully captured the idea of a specific moment when it's finally okay to cry, a permitted emotional release, like a cuckoo clock that only cries on the stroke of the hour. The cuckoo clock became a very powerful visual motif that could encompass themes of time, emotion, waiting, and crying all at once. That’s why the music video, teaser images, album visuals, and even the choreography were organically designed around the themes of “the exact hour”, “tears”, “the flow of time”, and “permitted emotions”. In particular, the choreography includes the gesture of pointing to a large clock, a movement that symbolises the striking of the hour, and dancers who seem like alternate versions of Chuu, representing “the moment emotion awakens”. Youth is always a time of “holding things in”, and through this album, we wanted to offer them a specific hour in which it’s okay to cry. 4. “Only cry in the rain” is the first storytelling-style music video Chuu has filmed since her solo debut. What kind of story did you want to convey, and why did it have to be a storytelling music video? CEO Kim Jinmi: Rather than traditional storytelling, the “Only cry in the rain” music video was closer to an emotional record of how memories fade. Instead of clearly presenting a narrative within the 3-minute runtime, we wanted to express the emotions of youth standing at the boundary between friendship and love, as they are forgotten, blurred, and fleeting, using fragmented scenes and emotional shards. To achieve this, we chose to shoot on 16mm film instead of digital. It’s a medium that captures the tone of natural light, the warmth of grain, and the warmth of imperfection. I believed it could convey something genuine, even if not perfectly clear, just like the emotions of youth. One of our core principles during this shoot was “don’t act out emotions.” Even in scenes where Chuu cries or her expression breaks down, we tried to capture them not as pre-planned performances but as real traces left behind by passing emotions. It was cold on set due to the use of a sprinkler truck, and because Chuu has such a naturally bright personality, the whole crew worked together to help her access and stay in that emotional space, making those shots even more memorable. Ultimately, we didn’t want this music video to be a complete narrative. We hoped it would feel more like a slowly developed compilation of emotions like a roll of film, or the final scene of a quiet, intimate coming-of-age film. We wanted to convey that the fragility and beauty of youth might lie in that very “flow”. 5. What did you focus on in composing the choreography and performance of the title track? CEO Kim Jinmi: The most important thing was to create a choreography that flows like a single story. Rather than just arranging individual movements, we aimed for a performance where emotions connect from beginning to end and a narrative gradually accumulates through the movements, so that by the end, it feels like you’ve watched a short film following the waves of emotion. I had previously worked with choreographer Choi Young-joon on “Bon voyage”, and we shared a mutual understanding of choreography as storytelling. This project continued in that same spirit. With “Only cry in the rain”, the choreography wasn’t about just designing “cool moves,” but about translating the keywords “emotions that resonate exactly on the hour on a rainy day” into movement and narrative. The performance is filled with symbolic emotional motifs: a gesture pointing to the hour like a clock, a movement visualising the cuckoo’s call, flowing motions that resemble both raindrops and tears, and dancers who appear like extensions of Chuu’s inner self. These elements visually complete a scene where time, memory, and emotion intersect. Rather than just a choreography, we created a narrative-driven performance that lets the audience follow the story through body, expression, and gaze, like witnessing the quiet moment when a girl faces her emotions on a rainy day. It was a carefully crafted performance, in which not a single gesture feels wasted, and each moment could remain as a lasting emotional memory. 6. On the “Show! Champion” stage, Chuu wore a school uniform and backpack, which felt a little different from the concept photos. What did you pay particular attention to in the outfits and styling for “Only cry in the rain”? CEO Kim Jinmi: When planning the styling, the most important thing was visually expressing the texture of the emotion we call “youth”. And by “youth”, I don’t mean a specific age or time period. For some, it might be a story from their teenage years; for others, it could be from their twenties, or even a lingering piece of emotion from their youth that still lives on in a corner of their heart today. So in the concept photos, we intentionally avoided tying things to a specific age. Instead, we tried to capture the moods and colors of various time periods where that emotion might dwell. On broadcast stages, however, we decided that a more intuitive symbol was needed. The school uniform and backpack Chuu wore on “Show! Champion” weren’t just to depict a student; they were meant to evoke the purity of youth that lives in everyone’s heart. When Chuu sings with a backpack on, we hoped it wouldn’t just feel like a reenactment of the past, but rather act as a trigger for each viewer to recall their own personal memories of youth. Part 2: Chuu, an artist who modulates the texture of sound with a clear, pure voice 1. Did you first decide to make an album focused on “emotion” and then gather music to match that direction, or were the tracks chosen first and the overarching theme discovered afterward? CEO Kim Jinmi: We didn’t begin this project with “emotion” as a set theme. It actually started by responding to the sound. We asked ourselves what kind of music would blend most naturally with Chuu’s voice, and what songs could go beyond her “vitamin” image to express the next chapter of her artistry. That’s how we began collecting songs. The texture of the melody and rhythm was our first clue. Some songs had rhythms that felt like emotional waves, while others had moments where a single chord sent a chill through the heart. The songs we gathered each felt like distinct “scenes”, and we began imagining the emotional narratives those scenes could hold, writing lyrics and building on that idea. The album title “Only cry in the rain” came from an attempt to capture the shared emotional thread running through the songs in a single phrase. The concept of a “rainy day” became a symbolic device, representing a quiet “permitted moment” to be honest and bring emotions to the surface, when emotions can resonate at the specified hour. So, rather than heading toward a clear theme from the outset, this album was more about letting the music lead the way, and emotions quietly staying on top of it. That’s why I think it feels more honest and natural. The theme of “emotion” wasn’t a planned answer from the beginning; it was a question that arose as we listened to each track, and the answer came along the way. 2. Compared to her previous work “Strawberry Rush”, the genre and overall vibe of this album feels more refined and mature. Could you share the reasons behind choosing the tracks included, and what you’re most proud of? CEO Kim Jinmi: With “Back in Town”, images like a scene came to mind immediately upon hearing it. We wanted to capture the dizzying excitement of unexpectedly running into your first love, feeling familiar yet unfamiliar. In fact, we shot the video for this song just three hours after wrapping the music video for the title track because the inspiration was that strong. The rhythmic guitar, funky bassline, and groovy rhythm clearly highlight a new charm of the artist Chuu, which is why I feel especially attached to it. “Kiss a Kitty” is the song that most boldly showcases Chuu’s new potential. Chuu had never attempted sing-rapping, so it was very challenging and interesting from a producer’s point of view. Her bright, lovely energy blends effortlessly into the playful structure, so I thought it could give listeners the feeling of a joyful rollercoaster ride. I think Chuu’s ability to happily switch between genres will feel refreshing to many listeners. “Je t’aime” is the song in which Chuu’s tone and emotional sensitivity shine the brightest. On top of the cozy and dreamy texture of the dream-pop genre, the vintage guitar sounds envelopes Chuu’s clear vocals, conveying the tender and cautious emotions of confessing love for the first time. The repeated “Je t’aime” in the chorus was designed to remain not just as words, but as a lingering emotion. So we focused on capturing every breath in detail when recording. I think this track most delicately captures the warmth of love and the subtlety of vocal tone that only Chuu can express. “No More” was one of the most challenging tracks on the album. Its structure, centred around marching drums and deep bass, deviates from typical pop arrangements, requiring Chuu’s precise emotional control and solid vocal ability to fully bring it to life. It was almost included in the last album, but we put it on hold at the time because there were more emotions we hadn’t captured yet. It was finally reborn in this album after sufficient rearrangement. “No More” tells the confident story of youth, about no longer apologising to others and acknowledging your own emotions and self-worth. More than anything, it’s the song where the message is most clearly expressed, and I hope listeners will give attention to it. 3. “Back in Town” and “Kiss a Kitty” both include sing-rapping. In particular, “Kiss a Kitty” has a significant proportion of sing-rapping. What was the reason for trying this, and how satisfied are you with it? CEO Kim Jinmi: When I first heard “Kiss a Kitty,” what immediately came to mind was the rhythm and mood that only Chuu could express. In fact, at first, I was a bit worried. Since Chuu has such a clear and bright vocal tone, I worried that the rhythmic sing-rap sections might sound awkward or disrupt the vibe of the song. But that concern didn’t last long. I’ve always believed in the new sides of Chuu and waited patiently to see them. “Kiss a Kitty” is a song that thrives on its bright, playful, and lovely energy, and I became convinced that Chuu’s pure and bubbly image was the final missing piece to complete the sing-rap style. Even better than we had expected, she brought out the rhythm and articulation delicately without compromising her vocal tone. In fact, she enhanced the song’s cheerful vibe even more. Thanks to that, the song gained a lively quality, like a kitten playfully bouncing around. It became a track where her unique emotional expression and character really stood out. Most importantly, because she didn’t intentionally “act out” the emotion, but rather infused the singing-rap naturally with her own colour, this wasn’t just a challenge; I think it became an important hint at the musical potential Chuu can explore in the future. 4. I’ve seen positive reactions to this album, with comments like “beyond expectations” and “great song selection.” What did you consider most important when choosing songs for the album? CEO Kim Jinmi: It wasn’t just about collecting “good songs”. Instead, far more important were the questions: “How naturally and multidimensionally does this song express the artist ‘Chuu’?” and “Can the person Chuu genuinely convey herself through this music?” Of course, each song must be independently appealing—that’s a given. But more importantly, when all the tracks come together, there should be a unified emotional arc and a sense of flow, so that listeners would naturally resonate with it like, “Oh, this is the story she wanted to tell here.” When selecting songs, we focused not only on melody and genre diversity but also on how organically the lyrics and Chuu’s vocal tone would intertwine, and on whether we could vividly picture the person “Chuu” as we listened to the song. Rather than simply choosing good tracks, we wanted to find songs where Chuu could breathe and come alive. We set that standard and consistently followed it from song selection through to the album’s completion. I’m grateful that this approach seems to have resonated with listeners through the album’s reception. 5. What would you say are Chuu’s strengths and potential as a “singer”? You could also highlight her qualities that stood out in this album. CEO Kim Jinmi: I think the most impressive strength of Chuu’s vocals is undoubtedly “the emotional spectrum contained within clarity”. A voice that’s typically described as “bright” or “clear” can often be pigeonholed into a fixed character. But with this album, Chuu completely overturned those preconceptions. She maintained her signature clarity while delicately modulating the emotional tone and colour from song to song. That stood out to me. What was especially impressive was how Chuu subtly adjusted the “wetness” of emotion depending on the song’s mood and message. Sometimes she amplified warmth using vintage, dreamy reverb tones. Other times, she conveyed her signature loveliness in a rhythmic and bubbly emotional line. Chuu isn’t simply a singer with a “clear voice”; she’s an artist with a delicate ability to layer that clarity with a range of emotional temperatures and textures. In this album, she naturally mastered the very difficult task of “adding dimension to tone”, something many vocalists struggle with. I believe this album brings a fresh spotlight to her musical potential and expressiveness. 6. At the album listening session, Chuu explained that this album is “so filled with the words and sentences I really wanted to share.” Which lyric from the album do you personally want to share most with others? CEO Kim Jinmi: Personally, while I do love the title track’s message, there’s one particular line from the B-side “Je t’aime” that has lingered with me for a long time: “Peaceful like a calm breeze / Familiar like the passing of time / Natural like mundane routines” “You know what I mean right / It’s just word like that” I really love that part; it feels like being given a certain assurance, like someone simply smiling and saying, “I know,” without needing long explanations or complicated words. Love, after all, is sometimes an emotion that arrives before the words do. That tone, that sense of trust when without complicated explanation, someone says “You know what I mean” with a smile—the assurance that comes from that can resonate deeper than any confession. To me, these lyrics go beyond just being about romance. They express the essence of emotions that don’t change with time, the kind of connection without words. And sometimes, it’s that familiar and natural kind of love, not the burning or passionate kind, that lingers the longest. I especially love the way Chuu delivers that line “You know what I mean” so nonchalantly in the melody. I think that one sentence captures the heart of this album’s message: the anxiety of youth, blurry memories, and quiet growth. In the end, what we long for isn’t someone’s grand solution, but a soft voice simply saying, “I understand your feelings.” In that sense, I think this lyric aligns most deeply with the emotions of the album. Part 3: “Only cry in the rain”, the “singer” Chuu’s prologue 1. Her third mini-album “Only cry in the rain” is often described as an album that focuses on “emotion”. What was the intention behind its concept? CEO Kim Jinmi: If Chuu’s first solo album “Howl” was about finding the courage to cry out emotions for the first time, “Only cry in the rain” is more about quietly embracing those emotions. In life, we often hide or suppress our feelings. This album began with the metaphor that such emotions are quietly “waiting” somewhere inside us, like the striking of a clock at a precise hour. The “rainy day” setting symbolises one of those rare moments when those feelings are allowed to surface, as if there are specific days when one is permitted to cry. The album is a gentle and metaphorical attempt to approach difficult emotions. Most importantly, this album tells the story of Chuu’s emotional growth as an artist. For someone who has always been loved for her bright energy, looking inward, facing, and expressing her own emotions is not an easy feat. But this challenge has been integrated naturally and solidly into the album. Emotions often feel like “personal stories”, but in truth, they originate from “shared moments”. This narrative is woven into Chuu’s album as well. Since her solo debut, Chuu’s albums have always told stories of a girl and her friends, and of the friendships of youth. The two monsters or friends always by her side, and the forgotten seasons and time they experienced together are embedded here. From the outburst of emotions in “Howl”, the energetic spirit of “Strawberry Rush”, to the quiet embrace of feelings in “Only cry in the rain”, it all feels like a continuing series that explores different textures of emotion. On the surface, it may appear to be an album centred on emotions, but at its heart, it’s still about “us”. Even the scene of crying alone is layered over memories shared with a friend. Whether on stage or off stage, Chuu has always been “with someone”. Emotion can be a lonely thing, but empathy is always something we experience together. 2. The CAPTCHA (security verification box)-style 9-tile teaser for “Only cry in the rain” was quite striking. Could you explain the intention behind its design? CEO Kim Jinmi: It was our starting point for visually expressing the album’s core theme “emotion” for the first time. We needed a device that could symbolise that concept most effectively, and we hoped the teaser would naturally guide people to intuit the album’s overall concept. We chose the CAPTCHA (security verification) format because emotions are, by nature, the farthest thing from robots. But ironically, even human emotions are sometimes subject to a demand for “proof”. There are moments when you’re asked to explain why you’re sad, to reveal your heart in order to be understood. So, beyond simply presenting a concept, we wanted this teaser to be a device that quietly asks, “Are you ready to face these emotions now?” The accompanying nine tile images were layered with a blurry, analog texture reminiscent of ’90s film photography, meant to evoke the album’s emotions and encourage viewers to piece them together like a puzzle. We wanted people to naturally start asking themselves, “What kind of story will this album tell?” A clock representing “on the hour,” as mentioned in the title track’s lyrics; a cat outside the window linking to the B-side “Kiss a kitty”; a bus stop with a hanging umbrella; and Chuu walking across asphalt — all of these are visual metaphors for the album’s theme of “a time to walk into the emotions stored within memories”. 3. The album cover, highlight medley, and the "Only cry in the rain" music video all include animated effects. What was the reason behind this? CEO Kim Jinmi: We actively used animation techniques in “Only cry in the rain” because we felt there needed to be an emotional medium that could gently bridge the gap between reality and memory. Memory, by nature, is a fragmented and fluid emotional experience. It blurs over time, it gets painted over, and it sometimes even gets distorted. However, there are definite limitations to expressing those delicate emotional waves and uncertainties using only live-action video. That’s why we chose to layer the analog aesthetic with animation, as a way of adding both a margin of memory and a visual texture to represent imagination. For example, the crying ASCII art girl in the opening teaser, the tear-like movements that flow and spread emotionally in the highlight medley, and the small animated fragments interwoven with real-life footage in the music video — all of these were intentional devices to convey emotions in a more sensory and fluid manner. Like a single vivid fragment of emotion that remains clear in a blurry memory, or the lingering trace of emotion that finally finds form only after it’s gone. This album explores the emotions and fading memories of youth, and the heart that floats in between. So by juxtaposing realistic scenes with the sensory layer of animation, we believed it could amplify the emotional resonance of both. In the end, animation in this project can be seen as “a way to breathe life back into memory”, a form for those emotions we simply can’t forget. 4. The album features a smaller CD, a black CD holder that gives off an LP vibe, and is packaged with letters, mood cut photos, and stickers. It comes in two versions. Could you share the story behind the album design, components, and packaging? CEO Kim Jinmi: This album wasn’t designed just as a music album; it began as an exploration of how we might “record” the memories of youth, paying homage to a time when the analog sensibilities of the ’90s intersected with the digital instincts of a new generation. We wanted it to be more than just listening; we hoped it would become a sensory experience: something you could “own, keep, and revisit”. The entire package was curated as a “collectible archive”, allowing fans to overlay their own emotions and tastes onto the album itself. The album comes in two versions: the Blue version (cool emotions) and the Grey version (the texture of anxiety and growth). This reflects the idea that even though we all live through youth, the colour of that experience can vary. We hoped each package might resonate warmly with some, and leave a more bittersweet impression on others. The CD is designed like a mini LP, and we included a variety of stickers so that fans could decorate and own it in their own way. It becomes more than a physical album; it is completed as a personal object, carrying the emotions of its owner. We also included a cuckoo origami piece, inspired by the album’s central motif: the “cuckoo clock”. It symbolises the act of drawing out one’s emotions. We wanted to offer a simple hands-on experience. Even if it’s folded messily, torn, or casually stuck somewhere, it’s okay. We believe those small traces become your ways of “recording memories”. Ultimately, this package is a kind of emotional archiving. I hope it’s a small box of emotions, preserving fragments of someone’s youth, or perhaps pieces of a heart that hasn’t yet found closure. 5. The album includes a handwritten letter from Chuu. If we were to describe this project as “a letter on a rainy day,” what would you personally want the final sentence of that letter to say? CEO Kim Jinmi: If this album really were “a letter on a rainy day,” then I’d want its final sentence to be: “It’s okay to cry. I understand your heart.” I didn’t want that line to feel too big or grand. In fact, I thought it would be even better if it felt like someone looking out the window together, saying nothing. This album wasn’t made to offer answers; it was created to open up a space where people could face their emotions. I felt really proud when after the music video was released, I saw comments like, “This song was comforting,” or “Now I have a song to play when I want to cry.” That’s exactly the kind of feeling we hoped to share. I thought it’d be enough if through this album, we could tell someone very quietly, “I know how you feel.” To be honest, I don’t think the final sentence of this letter needs to be a literal sentence. Music on its own has the power to become a memory, a recollection, a form of comfort. That lingering resonance after the last note, that quiet solace, that secret echo only you can hear — I believe those can be the closing words. In the end, what we believe is that emotions arrive before words, and that music is the best way to convey them. So in that sense, I believe the real final sentence of this letter is the one the music has already written. 6. From April 19 to 21, before the album release, a listening party event and exhibition were held at Movieland in Seongsu-dong. What inspired this promotional concept, and to what extent did it meet your expectations? CEO Kim Jinmi: The main reason we planned this listening party event was because we didn’t want “emotions”, the theme of “Only cry in the rain”, to be experienced through just listening to music. Instead, we wanted to expand it into a multi-dimensional space. We wanted to design the event so that the emotional arcs and stories of each track could be experienced through both hearing and sight, through music, objects, videos, and exhibits. That’s why we chose a venue that could naturally embody the themes of “memory” and “emotion”. Since the actual music video was shot on 16mm film and carries a strong cinematic quality, we selected “Movieland”, a place that would best reflect that emotional atmosphere. The second-floor lounge area was especially curated as a space where “echoes of emotion” — that is, the residues of memory — could linger. We displayed film props actually used in the music video, storyboard books arranged like archival pieces, and objects that visualised emotional symbols found in the album. All of this was intended to create an experience where the audience could experience the emotional flow of the album up close, almost like following the flow of a short film. 7. What was the main focus when you first started making the album, and how much of that initial goal do you feel has been achieved now that the album is complete? CEO Kim Jinmi: Whenever we plan Chuu’s solo albums, the most important thing has always been to authentically establish the voice of “Chuu the singer”, beyond the friendly and lovable image she’s known for through variety shows. Chuu is an artist who brings warmth to many with her bright energy, but I believe there’s a much more delicate and thoughtful inner world beneath that. Through her music, we wanted to highlight those emotions, not through words, but through song. In particular, “Only cry in the rain” was a project aimed at establishing Chuu’s identity not just as a singer with good vocals, but as an artist who conveys emotion. We didn’t want the act of expressing emotion to feel awkward or burdensome. Instead, we hoped it would be accepted naturally, and that Chuu herself could understand and internalise that flow. From the early planning stages, we had many conversations with her to ensure this. Now that the album is complete, I wouldn’t say it’s perfect from a director’s perspective. As always, there is some lingering regret like, “We could’ve pushed a bit further here,” or “Maybe we could’ve tried something different there.” But just the fact that Chuu the artist is becoming more confident in how she approaches music and is beginning to find her own texture, makes this album a deeply meaningful project. What matters most to me isn’t perfection, but continuing to move forward without losing direction. From that starting point, “Only cry in the rain” feels like a prologue, an introduction to the kinds of stories Chuu’s voice is capable of telling. Sources: (1) , (2) , (3)

I’ve crash-landed somewhere The moment I blink, everything’s a new trip The road extending straight above the horizon If I walked and walked, would I meet a friend, I wondered Which star’s dream might this be A delicate bud sprouting, the dream The moment I took the step A strange language warmly knocked on my heart I take a breath And look around this Earth of mine Don’t have a map But somehow I like that better My little remote island, where pretty flowers bloom The deep blue sky too Packed tightly, I like it A beautiful earth E-e-e-e-e-e-earth E-e-e-e-e-e-earth So what if I behave a little differently Look more closely and everyone’s weird All the eyes are so transparent But you can’t fathom a single soul, isn’t that funny Which bird’s song might this be Tickling my ears, the dream The moment I extend my hand I feel like I could go anywhere riding this breeze I take a breath And look around this Earth of mine Don’t have a map But somehow I like that better My little remote island, where pretty flowers bloom The deep blue sky too Packed tightly, I like it A beautiful earth E-e-e-e-e-e-earth E-e-e-e-e-e-earth The end of the day, like I’m on a trip Melancholy emotions, but once in a while It’s okay, shake it off and let’s keep going I’m going to love my special planet I take a breath And look around this Earth of mine Don’t have a map But somehow I like that better My little remote island, where pretty flowers bloom Open my eyes wide and inscribe it in my heart In another different world I’m curious about many more things Even the unfamiliar view Never seen it before, it becomes special My remote island, holding so many secrets Something unpredictable is going to happen I take a breath And look around this Earth of mine The new Earth in my heart I'll love you and cherish you A beautiful Earth A beautiful Earth 난 어딘가 툭 불시착했지 눈을 깜빡인 그 순간 모든 게 새로운 Trip 지평선 위 쭉 곧게 뻗은 길 걷고 걸으면 친구를 만날까 궁금했지 어떤 별의 꿈일까 여린 싹이 움튼 Dream 발을 딛는 그 순간 낯선 언어가 다정히 내 맘을 두드렸지 숨을 훅 고르고 둘러보는 나만의 Earth 지도는 없어도 왠지 그게 맘에 들어 예쁜 꽃이 피는 작은 나의 외딴섬 푸르른 하늘도 빼곡하게 맘에 들어 A beautiful earth E-e-e-e-e-e-earth E-e-e-e-e-e-earth 남과 다르게 굴면 좀 어때 더 자세히 보면은 모두가 이상한데 다 눈은 이리 투명 한데 마음 하나를 헤아릴 수 없어 재미있지 어떤 새의 노랠까 귀를 간지럽힌 Dream 손을 뻗는 그 순간 부는 바람을 타고서 어디든 갈 것 같지 숨을 훅 고르고 둘러보는 나만의 Earth 지도는 없어도 왠지 그게 맘에 들어 예쁜 꽃이 피는 작은 나의 외딴섬 푸르른 하늘도 빼곡하게 맘에 들어 A beautiful earth E-e-e-e-e-e-earth E-e-e-e-e-e-earth 여행을 온 것 같은 하루의 끝 울적한 감정이 But 이따금씩 괜찮아 툭툭 털고 가보자 쭉 내 특별한 행성을 사랑할래 숨을 훅 고르고 둘러보는 나만의 Earth 지도는 없어도 왠지 그게 맘에 들어 예쁜 꽃이 피는 작은 나의 외딴섬 두 눈 크게 뜨고 맘에 새겨 둬 또 다른 세상 속 궁금한 게 많아 졌어 낯선 View 마저도 본 적 없어 특별해져 많은 비밀들을 품은 나의 외딴섬 예측할 수 없는 일이 생길 걸 숨을 훅 고르고 둘러보는 나만의 Earth The new earth in my heart I'll love you and cherish you A beautiful earth A beautiful earth ""Hitchhiker" is a medium synthpop track whose trendy and rhythmical melody stands out, where Chuu sings with her rhythmical sensibilities about seeking her identity in an unfamiliar planet that she's landed on." Lyrics by Lee Aengdu (153/Joombas) Composed by Luke Fitton, Ferras Alqaisi, Casey Smith, Musikality Arranged by Luke Fitton, Musikality

After the rain stops and clears Above the dazzling sky A cozy warmth Yeah I should go, I should go It’s coming with the breeze I smell your scent And I stretch Oh let me know, let me know Clouds, below it ground Within the immense Earth I find a reason called you And take off I fly into you Wing wing wing wing wing Open my little wings Z Z Z Z Z I’m flying for ya I’m flying for ya Cause you are so sweet I approach you and Bing bing bing bing bing Plunge in with a plop Deep deep deep deep deep I’m falling for ya I’m falling for ya Can’t escape I’m your honeybee Up and down, left to right You can’t even sleep Round and round, I circle All day and night Get bits of you on me You are like honey Beautiful is your world Inside it, a trip When you blew onto me I knew right away We’re destiny Wandering for you In those lonely days Now no more, with you So sweet Cotton candy- Like taste I’m looking All about you I fly into you Wing wing wing wing wing Open my little wings Z Z Z Z Z I’m flying for ya I’m flying for ya Cause you are so sweet I approach you and Bing bing bing bing bing Drop in with a plop Deep deep deep deep deep I’m falling for ya I’m falling for ya Can’t escape I’m your honeybee We we we we we Together right now Sweet sweet sweet sweet sweet I’m flying for ya I'm falling for ya I’m your honeybee 맑게 비가 멎은 뒤 눈이 부신 하늘 위 따뜻한 온기 Yeah I should go I should go 바람결에 날려온 너의 향길 맡으며 기지갤 켜지 Oh let me know let me know Clouds 아래 Ground 거대한 지구 안 너란 이율 찾아 이륙 네게 날아들어 윙 윙 윙 윙 윙 작은 날갤 펴고 Z Z Z Z Z I’m flying for ya I’m flying for ya Cause you are so sweet 네게 다가가서 빙 빙 빙 빙 빙 퐁당 빠져들어 Deep deep deep deep deep I'm falling for ya I'm falling for ya 빠져나올 수 없는 I’m your honeybee Up and down left to right 잠도 못 자게 Round and round 맴돌아 종일 Day and night 내게 너를 묻혀 You are like honey 아름다운 Your world 그 안에서 Trip 내게 불어온 널 바로 알아본 것 우린 운명인 걸 널 헤매 왔던 외로운 지난날은 이제 더는 없어 With you So 달콤한 솜사탕 같은 맛 내가 보는 All about you 네게 날아들어 윙 윙 윙 윙 윙 작은 날갤 펴고 Z Z Z Z Z I’m flying for ya I’m flying for ya Cause you are so sweet 네게 다가가서 빙 빙 빙 빙 빙 퐁당 빠져들어 Deep deep deep deep deep I'm falling for ya I'm falling for ya 빠져나올 수 없는 I’m your honeybee We we we we we 함께 하는 지금 Sweet sweet sweet sweet sweet I’m flying for ya I'm falling for ya I’m your honeybee ""Honeybee" blends Chuu's warm vocals with innocently charming lyrics about leaving old wounds and loneliness behind for authentic love, just like a honeybee flying for sweetness under a clear sky, crafting a lovely sentiment. The calm bossa nova-style guitars and an uptempo break beat of drum and bass combine to give off a bright and uplifting energy." Korean lyrics by Na Do-yeon (153/Joombas) Composed by Molly Moore, Patrick 'j.Que' Smith, Elsa Curran, Sweater Beats Arranged by Sweater Beats

Hey baby, today I’m blankly Waiting again Do you know I feel like this It’s so unfair Full of things I want to tell you So I’m gon’ say It’s only you Say you’re my boo Oh na na na I don’t know what to do You’re mischievous, make me fret, but you’re Still favorite one Do you see my heart Can’t hide it so unfair What do I do, how do you feel Do you see my heart Can’t hide it so unfair What do I do, how do you feel All my friends ask me What kind of relationship we have Probably don’t know much more than a name Who is that You the one Making me so crazy Someday I’m gon’ say It’s only you Say you’re my boo Oh na na na I don’t know what to do You’re mischievous, make me fret, but you’re Still favorite one Do you see my heart Can’t hide it so unfair What do I do, how do you feel Do you see my heart Can’t hide it so unfair What do I do, how do you feel Get in my mind right now Get in my mind right now Get in my mind right now Get in my mind right now Get in my mind right now Get in my mind right now Get in my mind right now Get in my mind right now Do you see my heart Can’t hide it so unfair What do I do, how do you feel Do you see my heart Can’t hide it so unfair What do I do, how do you feel Hey Baby 오늘도 멍하니 기다리고 있지 이런 마음을 아니 It's So Unfair 하고 싶은 말이 넘쳐나 So I'm Gon Say It's Only You Say You're My Boo Oh Na Na Na 난 어쩔 줄 몰라 짓궂어도 애태워도 넌 Still Favorite One Do You See My Heart Can't Hide It So Unfair 어떡해 넌 어때 Do You See My Heart Can't Hide It So Unfair 어떡해 넌 어때 친구들이 다 물어봐 걔랑 어떤 사이냐고 이름 빼곤 잘 모르겠지 Who Is That You The One Making Me So Crazy 언젠간 I'm Gon Say It's Only You Say You're My Boo Oh Na Na Na 난 어쩔 줄 몰라 짓궂어도 애태워도 넌 Still Favorite One Do You See My Heart Can't Hide It So Unfair 어떡해 넌 어때 Do You See My Heart Can't Hide It So Unfair 어떡해 넌 어때 Get In My Mind Right Now Get In My Mind Right Now Get In My Mind Right Now Get In My Mind Right Now Get In My Mind Right Now Get In My Mind Right Now Get In My Mind Right Now Get In My Mind Right Now Do You See My Heart Can't Hide It So Unfair 어떡해 넌 어때 Do You See My Heart Can't Hide It So Unfair 어떡해 넌 어때 "Following ‘Air’, ‘Unf/Air’ sings about the asymmetry of the emotion known as love. Why do you not acknowledge me, when I love you. The song captures this unfairness in a serene and cute way of expression." Composed by Agwi, COE, Kim Ji Seop, COUP D'ETAT, Suyo, OoOo Lyrics by COE, bonelesscat Arranged by Agwi, Kim Ji Seop Vocal Arranged by COE Background Vocals by Suyo, bonelesscat Drums by Agwi, Kim Ji Seop Bass by Agwi, Kim Ji Seop Keyboard by Agwi, Kim Ji Seop Synthesizer by Agwi Digitally Edited by COE Recorded by Min Sung-hwan @ THE VIBE Studio Mixed by Jeong Jin @ J's Atelier Mastered by Kwon Nam-woo @ 821 Sound Mastering

A secret you can’t bring up, you’re only Biting your lips, frustrated Every time you see me, naughty thoughts Flooding you, oh, I know it all I’m about to bring you into my world’s center That’s what I want I’m about to push and pull you, tease you Tell me honestly I’ve got these confessions Can’t even fathom The many many reasons I liked you Yeah I got these confessions Gotta get honest, it’s that timing Let me tell you slowly One by one (I would do) Baby I can’t lie (lie) I’m not like you (now) Wake your heart in this moment I hate these confessions No need to pretend Come closer, you Your gaze at me, a bit more mischievous Shall I get, feel like you’re burning huh? Am I selfish? Am I heartless? Can’t be helped, the way I love Oh mine, oh mine My secret, carefully tonight (let you know) You probably (you probably, probably, probably, probably) Seep into me gradually, quickly I tell you I’ve got these confessions Can’t even fathom The many many reasons I liked you Yeah I got these confessions Gotta get honest, it’s that timing Let me tell you slowly One by one (I would do) Baby I can’t lie (lie) I’m not like you (now) Wake your heart in this moment I hate these confessions No need to pretend Come closer, you Ah-ah I got these, I got these confessions I’ve got these confessions Black night grown darker Silent hour when even the Moon is gaunt Yeah I’ve got these confessions I know it all, baby Don’t try hard to hide Stop, I know you I got these, I got these confessions (I got these confessions) I got these, I got these confessions I got these, I got these confessions (I got, yeah I got) Come closer Come one more step, you 꺼낼 수가 없는 비밀, 괜히 입술만 깨물고 있는 너, 애가 타지 나를 볼 때마다, 못된 상상에 빠지게 된 너 Oh, 다 알고 있어 내 세상 중심에 널 데려와 보려고 That’s what I want 널 밀고 당기며 계속 놀려 보려고 솔직히 말해 I’ve got these confessions 헤아릴 수 없지 맘에 든 많고 많은 이유들 Yeah I’ve got these confessions 솔직해질 good timing 천천히 알려줄게 하나 둘 (I would do) Baby I can’t lie (lie) 난 너와 달라 (now) 네 맘을 깨워 지금 이 순간 I hate these confessions 아닌 척 필요 없지 가까이 와봐, you 나를 보는 눈빛, 좀 더 짖궃게 장난쳐 볼까, 타오를 것 같지? Am I selfish? Am I heartless? 어쩔 수 가 없어 내 사랑의 방식 Oh mine oh mine 나만의 비밀을 오늘밤 조심스레 (let you know) 아마도 넌 (아마도 아마도 아마도 아마도 넌) 조금씩 빠르게 내게로 스며들어 너에게 말해 I’ve got these confessions 헤아릴 수 없지 빠져든 많고 많은 이유들 Yeah I’ve got these confessions 솔직해질 good timing 천천히 알려줄게 하나 둘 (I would do) Baby I can’t lie (lie) 난 너와 달라 (now) 네 맘을 깨워 지금 이 순간 I hate these confessions 아닌 척 필요 없지 가까이 와봐, you Ah -ah I got these, I got these confessions I’ve got these confessions 깊어진 까만 밤 달조차 야윈 고요한 시간 Yeah I’ve got these confessions 다 알고 있어 baby 애써 감추는 건 Stop, I know you I got these, I got these confessions (I got these confessions) I got these, I got these confessions I got these, I got these confessions (I got, yeah I got) 가까이 와봐 한칸 더 와봐, you ""Confessions" sings of confessing to another, and is striking for its groovy drum and bass, sentimental melody, and rich vocal harmonies. As a unit of Hyunjin, Go Won and Yeojin, it shows off a similar but distinct charm from "Cotton Candy"." Korean Lyrics by Hyunjin (Loossemble), Son Da-seul, Y0UNG Composed by Ryan Jhun, Barry Cohen, Olivia Ruby, Lillian Gillespie, Colin Magalong Arranged by Ryan Jhun, Gingerbread Lyrics by Barry Cohen, Olivia Ruby, Lillian Gillespie, Colin Magalong Vocal Directed by Kim Boa Background Vocals by Kim Boa Programming by Ryan Jhun Recorded by Nam Yoo-jin @Doobdoob Studio Digital Edited by Nam Yoo-jin @Doobdoob Studio Mixed by Alawn @Alawn Music Studio Mastered by Kwon Nam-woo @821 Sound Mastering

You’re like a candy You’re like a candy You’re like a candy candy candy candy In a moment, feed my appetite The more I see you, thirst go high (nah nah nah nah) I’m wanting you (nah nah nah nah) Puffing like a cloud, the heart You can feel it in my motions lose control It’s fatal You wanna take it on me Come on take it on me Never felt this strange flow (the flow) It pull me down, your sweetness Oooh like I’ve become a child Only you, want to take it Dancing curiosity higher The moment I carefully tasted it Melting softly, that paradigm You’re like like like a candy You’re like like like a candy The moment it’s touched, like cotton candy Becoming sticky, that paradigm You’re like like like a candy Come on look me eye to eye (You’re like cotton candy) I don’t wanna wait, I want you lots I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah I don’t wanna wait, I want you more I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah Hold up, what in the world are you To make my still heart go vroom Goodie goodie make me fly high I keep getting greedy, you excite me Just do it your way Imma start counting 1,2,3 Gimme gimme your sound Making making your song going loud I wanna keep learning you better Sweet and tasty only Never felt this strange flow (the flow) It pull me down, your sweetness Oooh like I’ve become a child Only you, want to take it Dancing curiosity higher The moment I carefully tasted it Melting softly, that paradigm You’re like like like a candy You’re like like like a candy The moment it’s touched, like cotton candy Becoming sticky, that paradigm You’re like like like a candy Come on look me eye to eye (You’re like cotton candy) I don’t wanna wait, I want you lots I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah I don’t wanna wait, I want you more I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah Fly me to the moon you own it I’ve already realized I’m not afraid I might love you so deep To me you’re, that your love is so sweet babe Taste of love (and taste it) I don’t wanna wait, I want you lots I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah I don’t wanna wait, I want you more I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah The moment I carefully tasted it Melting softly, that paradigm You’re like like like a candy You’re like like like a candy The moment it’s touched, like cotton candy Becoming sticky, that paradigm You’re like like like a candy Come on look me eye to eye (You’re like cotton candy) You’re like a candy You’re like a candy You’re like a candy candy candy candy 한 순간 feed my appetite 널 볼수록 thirst go high (nah nah nah nah) 막 탐이 나 (nah nah nah nah) 구름처럼 부푸는 heart You can feel it in my motions lose control 치명적-이야 You wanna take it on me Come on take it on me 처음이야 이 묘한 flow (the flow) 날 pull me down 네 달콤함 Oooh 어린 아이가 된 듯 너만 want to take it 춤을 추는 호기심이 higher 살짝 맛을 본 그 순간 사르르 녹는 paradigm You’re like like like a candy You’re like like like a candy 솜사탕처럼 닿은 순간 끈적해지는 paradigm You’re like like like a candy Come on look me eye to eye (You’re like cotton candy) I don’t wanna wait 널 많이 원해 I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah I don’t wanna wait 더 많이 원해 I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah Hold Up넌 대체 뭐길래 가만있던 맘을 vroom Goodie goodie make me fly high 욕심이 자꾸 나 설레게 하는 너 Just do it your way Imma start counting 1,2,3 Gimme gimme your sound Making making your song going loud 계속 더 알고파 Sweet and tasty only 처음이야 이 묘한 flow (the flow) 날 pull me down 네 달콤함 Oooh 어린아이가 된 듯 너만 want to take it 춤을 추는 호기심이 higher 살짝 맛을 본 그 순간 사르르 녹는 paradigm You’re like like like a candy You’re like like like a candy 솜사탕처럼 닿은 순간 끈적해지는 paradigm You’re like like like a candy Come on look me eye to eye (You’re like cotton candy) I don’t wanna wait 널 많이 원해 I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah I don’t wanna wait 더 많이 원해 I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah Fly me to the moon you own it 알아버렸어 난 이미 I’m not afraid I might love you so deep 내게 넌 that your love is so sweet babe Taste of love (and taste it) I don’t wanna wait 널 많이 원해 I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah I don’t wanna wait 더 많이 원해 I don’t wanna waste a minute, come on babe (cotton candy) Uh-uh you’re like a candy candy candy candy yeah 살짝 맛을 본 그 순간 사르르 녹는 paradigm You’re like like like a candy You’re like like like a candy 솜사탕처럼 닿는 순간 끈적해지는 paradigm You’re like like like a candy Come on look me eye to eye (You’re like a cotton candy) ""Cotton Candy" and "Confessions" are two distinct toplines attempted on the same track, and as unit tracks, they show off different charms. "Cotton Candy" is by a unit composed of Hyeju, Vivi and Yeojin. Unlike "Confessions", this is a dance pop track with rhythmical vocal, intense rap, and a hook with a twist, imparting the feelings of falling in love as sweet as cotton candy." Korean Lyrics by ZNEE Composed by Ryan Jhun, Barry Cohen, BORAN, Mayu Wakisaka Arranged by Ryan Jhun, Gingerbread Lyrics by Ryan Jhun, Barry Cohen, BORAN, Mayu Wakisaka Vocal Directed by Kim Min-gu Background Vocals by Kim Boa Programming by Ryan Jhun, Gingerbread Recorded by Kim Ji-hyun @Doobdoob Studio Digital Edited by Kim Ji-hyun @Doobdoob Studio Mixed by Alawn @Alawn Music Studio Mastered by Kwon Nam-woo @821 Sound Mastering

Every day I’m busy sighing This city is so lonely On the desktop screen, ‘she’s gone’ Whew, what a far and long journey When the familiar street’s in sight I’m a little eager (maybe you’ll come see me?) My first love (the deep pupils) The curly hair (no way) (Ha, you’re unchanged) Listen up baby It’s been a long time Into your arms, diving Your eyes sparkle, spotlight My colorful ocean, baby I’m back I’m back I’m back I’m back (Who’s back?) I’m back in town Loosen up baby My body feels lighter The wind picks up You’re evergreen and sweet My perfume I’ve longed for, baby I’m back I’m back I’m back I’m back (Who’s back?) I’m back in town Hey, familiar but new right Gotten way taller right Keep peering in, zoom On and on, on and on Finally I feel alive You make me breathe I wanna live here forever (You can’t do that) Yes I can! Listen up baby It’s been a long time Into your arms, diving Your eyes sparkle, spotlight My colorful ocean, baby I’m back I’m back I’m back I’m back (Who’s back?) I’m back in town Loosen up baby My body feels lighter The wind picks up You’re evergreen and sweet My perfume I’ve longed for, baby I’m back I’m back I’m back I’m back (Who’s back?) I’m back in town (Back in town) Back in town yeah (Back in town) (Back in town) Ba da ba I’m back in town Ba da ba I’m back in town Ba da ba I’m back in town Ba da ba I’m back in town 매일 한숨 쉬기 바쁜걸 이 도시는 참 외로워 바탕화면 위 ‘she’s gone’ 휴 아주 멀고 긴 여행 익숙한 길이 보일 때 살짝 기대해 (마중 나올까?) 나의 첫사랑 (짙은 눈동자) 곱슬머리 (말도 안 돼) (Ha 그대로네) Listen up baby It’s been a long time 네 품에 diving 네 눈은 반짝 spotlight 알록달록 나의 바다야 baby I’m back I’m back I’m back I’m back (Who’s back?) I’m back in town Loosen up baby 몸이 가벼워져 바람이 일어 넌 푸르르고 달아 오래 그린 나의 향수야 baby I’m back I’m back I’m back I’m back (Who’s back?) I’m back in town Hey 익숙한데 새롭지 키가 훌쩍 커버렸지 계속 들여다봐 zoom On and on on and on 이제야 살 것 같아 넌 나를 숨 쉬게 해 영원히 여기 살래 (You can’t do that) Yes I can! Listen up baby It’s been a long time 네 품에 diving 네 눈은 반짝 spotlight 알록달록 나의 바다야 baby I’m back I’m back I’m back I’m back (Who’s back?) I’m back in town Loosen up baby 몸이 가벼워져 바람이 일어 넌 푸르르고 달아 오래 그린 나의 향수야 baby I’m back I’m back I’m back I’m back (Who’s back?) I’m back in town (Back in town) Back in town yeah (Back in town) (Back in town) Ba da ba I’m back in town Ba da ba I’m back in town Ba da ba I’m back in town Ba da ba I’m back in town [Credits] Korean Lyrics by Seo Jeong-ah Composed by Ryan Jhun, Finlay Dow Smith, Corey Sanders, Lauren Aquilina Arranged by Ryan Jhun, Starsmith This R&B track, where a groove led by rhythmical guitar and funky bass line stands out, adds on Chuu's charming vocals and ear-tickling piano melody to sensually draw out the emotions of a distant first love. The song expresses the moment when one encounters a strange but familiar feeling after returning to a city.

Only cry in the rain Celebrity Yellow Aloha Please Please Please

SB Interview: Yves makes her first appearance in Brazil and talks about the future of her career Davis Brito Singer Yves , known for her talent and charisma, arrived in Brazil for her long-awaited concert, which took place on April 11 at the VIP Station in São Paulo. The announcement of the show thrilled fans, who packed the venue to see the artist on her first solo tour in the country . With a lively audience and significant sales, the event marked Yves’ debut on Brazilian soil with a bang. Anyone who has followed the artist since her solo debut , with the hit “New” , has witnessed her artistic evolution, now consolidated in works such as the singles “Loop” and “Diorama” and her latest mini-album. Her fans, both those who have been with her since the days of LOONA and new admirers, packed the concert in São Paulo, proving that her talent transcends borders and generations . The performance in São Paulo, part of her “2025 YVES APPLE CINNAMON CRUNCH TOUR” , was a proper mixture of emotions : from the classics that made her famous to the new tracks that show her musical maturity. Yves also surprised us with charismatic interactions , thanking the crowd in Portuguese and with a contagious energy that made it clear how much she values her Brazilian audience. Before the show, the star gave an exclusive interview in which she talked about her career, new projects, and the special connection with her fans in Brazil. Check out the full text: SB: This is your first time in Brazil, and we’d love to know your expectations for the Brazilian audience. Yves: My expectations of Brazil are high. I’ve always been told that Latin American fans are the best because they have a surreal energy. SB: Last year, Chuu and ARTMS performed here in Brazil. Did you have a chance to meet them and ask for any advice? Yves: I met Chuu several times, and she told me that she had spent a long time feeling lonely, as she was used to being surrounded by other people. That's why she strongly recommended that I bring various hobbies for me to enjoy. So I brought some books and other things to clear my head. SB: We’d like to know which of your non-title-track songs is your favorite? And which one do you most enjoy performing? Yves: I like the song “#Hashtag” so much that I suggested to the company that it should be the title song. But during the shows, I really like performing “See You in Hell” because I can hear the fans singing the song very well, and it makes the experience even better. SB: You debuted as a member of LOONA with the title song “New”. Now that you’re pursuing a solo career, what would you say is different from that time? Yves: As I didn’t have the training part at the beginning as a soloist, I felt very nervous and maybe even unprepared, but little by little, I gained a lot of confidence, and nowadays I can say that I feel more prepared and confident. SB: Which artist was your main inspiration? And who would you most like to collaborate with? Yves: I’m inspired by many artists. In terms of music, Caroline Polacheck is one of them, but in terms of stage performance, Kaehla is another one from whom I take a lot of inspiration. Note: It is worth remembering that the artist has said on several occasions that she likes other artists such as PinkPantheress and SZA. SB: What kind of music would you like to explore on your next album? Yves: I’ve already tried to make some songs in a more house style, so I think I’m going to explore other styles that I haven’t yet in K-pop and make it even more Yves. A new style! SB: Now that you’re in Brazil, have you had the chance to try any Brazilian dishes? If so, what did you like best? If not, what would you like to try? Yves: I really love açaí! I like to eat it at every concert. Note: As the artist herself asked for recommendations, we also took the opportunity to recommend other dishes to her, such as guaraná, churrasco, and pão de queijo. We hope she tried them all. With a night full of hits, electrifying performances, and emotional moments , Yves not only won the hearts of Brazilians but also proved that her talent goes far beyond traditional K-pop . Her connection with the public, her affection for her fans, and her desire to explore new musical horizons make it clear: this is just the first page of a promising career . While fans relive the best moments of the concert on social media, one thing is for sure: Brazil is already eagerly awaiting her return! ( Source )

Start time: 11:15

Hello, this is ATRP. We would like to inform you about Chuu's schedule. As of now, Chuu recently received hospital treatment due to neck muscle pain, and the medical staff determined that she needs rest and treatment. As a result, the Minirecord, Cokodive, and Muvve fansign events scheduled for May 4 (Sun) and May 5 (Mon) have been postponed. To KKOTI who have been waiting, we sincerely ask for your understanding. The fansign events will be held later, and the winners will be informed individually about the changed schedule. Please understand that further schedules might be subject to change for the time being so that Chuu can greet you again in good health. Please give Chuu your warm support for her recovery. Thank you. Source

Preview Song You Know (Chuu timestamp: 2:47 - 4:26) Simgok Police Station       (Chuu timestamp: 15:20 - 21:38)